Fragments of Time

An interactive Installation that uses face recognition and motion detection to create compelling visuals.


The Challenge:

Creating an installation to be displayed at Sheridan College’s Trafalgar campus.

Fragments of Time

An interactive Installation that uses face recognition and motion detection to create compelling visuals.


The Challenge:

Creating an installation to be displayed at Sheridan College’s Trafalgar campus.

Fragments of Time

An interactive Installation that uses face recognition and motion detection to create compelling visuals.


The Challenge:

Creating an installation to be displayed at Sheridan College’s Trafalgar campus.

Design Process

Sheridan’s Trafalgar campus is not just the “creative” campus, its Canada’s largest art school. Second home to thousands of creative students and professors, it’s a thriving community where expression and individuality are encouraged. I wanted to create something that would embody these things in a compelling way.

To target those aspects of individuality and expression, I incorporated face recognition software and motion detection into a fun installation. The user is portrayed in colourful particles that flow on the screen according to their actions, while the background is set to black to really make the user stand out.

When
February 2019


Duration
1 Week


Tools
Processing + OpenCV

Interaction

The installation uses motion detection to draw only moving objects, such as people walking by. When there’s no movement detected, the installation simply appears as a black screen.

Once the installation detects movement, it will look for a face. If a face can’t be detected, the moving object will appear as scattered particles. If a face is detected, these particles will arrange in a way that forms the face of the user.

If the user remains very still, the installation won’t detect any movement, and it will again, show a black screen. The more movement detected, the more colourful the visuals will be.

Design Process

Sheridan’s Trafalgar campus is not just the “creative” campus, its Canada’s largest art school. Second home to thousands of creative students and professors, it’s a thriving community where expression and individuality are encouraged. I wanted to create something that would embody these things in a compelling way.

To target those aspects of individuality and expression, I incorporated face recognition software and motion detection into a fun installation. The user is portrayed in colourful particles that flow on the screen according to their actions, while the background is set to black to really make the user stand out.

When
February 2019


Duration
1 Week


Tools
Processing + OpenCV

Interaction

The installation uses motion detection to draw only moving objects, such as people walking by. When there’s no movement detected, the installation simply appears as a black screen.

Once the installation detects movement, it will look for a face. If a face can’t be detected, the moving object will appear as scattered particles. If a face is detected, these particles will arrange in a way that forms the face of the user.

If the user remains very still, the installation won’t detect any movement, and it will again, show a black screen. The more movement detected, the more colourful the visuals will be.

Design Process

Sheridan’s Trafalgar campus is not just the “creative” campus, its Canada’s largest art school. Second home to thousands of creative students and professors, it’s a thriving community where expression and individuality are encouraged. I wanted to create something that would embody these things in a compelling way.

To target those aspects of individuality and expression, I incorporated face recognition software and motion detection into a fun installation. The user is portrayed in colourful particles that flow on the screen according to their actions, while the background is set to black to really make the user stand out.


When
February 2019


Duration
1 Week


Tools
Processing + OpenCV



Interaction

The installation uses motion detection to draw only moving objects, such as people walking by. When there’s no movement detected, the installation simply appears as a black screen.

Once the installation detects movement, it will look for a face. If a face can’t be detected, the moving object will appear as scattered particles. If a face is detected, these particles will arrange in a way that forms the face of the user.

If the user remains very still, the installation won’t detect any movement, and it will again, show a black screen. The more movement detected, the more colourful the visuals will be.

MORE PROJECTS


LUX
Interactive Visuals

SPACE CONTROLS
VR Experience

SYNESTHESIA
Multisensory Object

MORE PROJECTS


LUX
Interactive Visuals

SPACE CONTROLS
VR Experience

SYNESTHESIA
Multisensory Object